You have no idea how stressful this question is. It's a common question, obviously.
"What do you do?"
"Oh, I'm a writer."
"Oh, cool! Have you written a book?"
"Yeah, I have!"
"Awesome! What's it about?"
".........Uh, a girl...yeah, a girl. She, uh...yeah."
You'd think I'd know how to answer this question. I've had five years of practice. Besides, I wrote the dang book! I can quote passages verbatim. But I couldn't tell ya what it's about.
Initially when people asked what my book was about, I'd compare it to Hunger Games, X-Men, and the Percy Jackson books. HG for the female-heroine-must-fight-for-justice theme; X-Men for the whole academy of superhumans plot; and I honestly have no recollection for why I used Percy Jackson. But there you have it. If you like all of those stories, you might like mine.
The first confusion is the genre confusion. The Trace fits trickily into a couple genres. I can tell you that it's YA, but once I say "sci-fi," people think aliens and space battles. If I say "light sci-fi," people think it's quasi-scientific. "Urban sci-fi" evokes lightsaber street-fighting; "fantasy" evokes dragons; "fiction" is too vague. So I skip the genre question when people ask me and go straight to the synopsis.
I've had to write synopses for query letters, my website, and my book cover. Each time, I start fresh and try a new approach, and it always sounds like either the most boring or most epic book of all time.
"Ella Kepler had weird things happen to her. Then she realized she was special and she did stuff."
"The world isn't as it seems, and Ella Kepler is about to have the truth thrust upon her, a truth that will define her as she's never been before."
I don't even know what either of those two hooks are saying. And I wrote them.
Writing a synopsis is harder than writing a book. True story. Thankfully, I have an editor who has worked his magic. We've come up with a first-person synopsis that I'm much more comfortable with. This is from Ella's POV, instead of from this omniscient narrator who sounds detached. Omniscient narrator doesn't know how to tell Ella's story – only she does.
So, here is what my book is about. I'm letting you read it with no pressure, no expectations, and without me awkwardly fumbling for an explanation. Henceforth, when people ask what my book is about, I'm just gonna say, "Go to AdelaideThorne.com" and walk away.
('Cause that's not awkward at all.)
For centuries, the Metahuman Training Academy has protected unaware civilians from the Grifters, creatures whose humanity is as deformed as their craggy faces. I spent eighteen years ignorant of either group and their endless war. Then, the Grifters found me.
The MTA whisked me away to safety while the danger passed. Only it didn’t. The Grifters, too stupid to know or too cruel to care that I’d left, kidnapped my best friend instead. It won’t take them long to figure out their mistake, but I’m not going to give them the opportunity.
Finding Kara means grueling training at the academy—a sequestered hub of classified operations, psychic powers, and fighting creatures that should only exist in nightmares. Grifters are stronger, but we’ve got the weapons, the technology, the brains. Who cares if the Grifters can’t feel pain? We can, and Grifters are the perfect outlet.
The Trace is the first book in a young-adult trilogy following Ella Kepler, a nascent metahuman whose strength and speed is matched only by the enemies set against her.
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